Aldi: Simple Things
We dawdled in the heavenly vegetable aisle,
palming the zucchini, playfully argued about onions,
the appropriateness of red versus sweet—to cook or not.
We were both poor, but groceries cost half that of U.S.
Shopping’s a chore I normally hate but was elated
sashaying with you at my side, then drifting away
with cart, slowly coming together at aisle’s crossing
after I dallied, staring dumbly at foreign names
for tomato paste, which I needed to make mafé.
Product naming was confusing—we were juggling
three versions of English, but it amplified our otherness,
and the tingle I felt in my torso and limbs,
nervous anticipation. Hadn’t cooked for anyone in years.
Us making food decisions. Remembered how easy joy is.
palming the zucchini, playfully argued about onions,
the appropriateness of red versus sweet—to cook or not.
We were both poor, but groceries cost half that of U.S.
Shopping’s a chore I normally hate but was elated
sashaying with you at my side, then drifting away
with cart, slowly coming together at aisle’s crossing
after I dallied, staring dumbly at foreign names
for tomato paste, which I needed to make mafé.
Product naming was confusing—we were juggling
three versions of English, but it amplified our otherness,
and the tingle I felt in my torso and limbs,
nervous anticipation. Hadn’t cooked for anyone in years.
Us making food decisions. Remembered how easy joy is.
*Originally published, North Dakota Quarterly
Skins
you wanted it raw
not precious
sex too,
the space between
hieroglyph armies
march of flesh
just the skins
the jist of it
etched into digits
your warnings
rough stars
scarred into arms
tattoo artist traced
from your drawings
your face too
what you did
to it
a primal expression
or grievance
just name it longing
*Originally published, Chiron
what max said before climbing into her spaceship
what about the velocity of things
the ever-fleeting
battery jitter and drain / defunct-human touch
touchscreen splendor / fingerdy-linger
ping pong brain thing / tweedledum marketing
machine unlearning / lowest common
violence sublimated into viral cuisine
the new connectivity
the new reflexivity / the new mediocrity
marketing prosperity / so much perfection
rate me / rate her / rate him / oh ranking queens
rage face / emoji heaven
reality drivel / cacophony of tedium
confetti attention / scatter box
soul flattened to screen
*Originally published, Feral
Five for
five months since you killed yourself
my body-clock does its dirty work
a door in the sky
their invitation
to die
anniversaries / the dread of eleven
remembrance gutted my chest / failed
gum-stuck to mattress / beached-perca limp
flickering tapes rolled on cue
what you did / what I should have done
declared my neighbor, cruising his golf cart
hissing scripture
it’s unnatural / a sin
against god
she’s so selfish / she didn’t take her meds
it’s never that bad / why didn’t she pray to God
until I finally said enough
you never even met her
their invitation to die
in people / they worship
shame and blame
you knew shame like the skin
of your cheek
shame for the look / and imagined sin
shame shame shame for the skin
shame with the belt / shame for the pleasure
shame for the fat and shame for the thin
shame for the illness / shame for the birth
shame for the sex and shame for the flesh
shame shame
shame with the fist
shame for the patient
shame for his death / shame for your own breath
their invitation
to die
the guy in the golf cart is mine Max
*Originally published, Feral
Seven for (Your Voice, Ours)
I remember your voice
Key of G minor
The vibrating throat tonic
Euphonic synthesis
Ruffled Janus head of sound
Back-tilted, sweet and lamenting
In-between life notes
Joined by my latent vibrato
Alternating melodies
Harmonic blips in the scourge
Slashed the air
Arrested the chords
Leaving a whoosh in the wake
Between musical spheres
The devil’s score
*Originally published, Dreich
Wuthering Heights erasure with
envelope, Wite-Out , and coffee |
Wuthering Heights erasure with whiteout and digital
embellishments |
Photo Cemetery Cherub |
Photo Ashes |
Koss (she, them, they) is a queer, mixed-race poet, writer, artist, and asemic writer with an MFA from the School of the Art Institute of Chicago. Their debut chapbook, Dancing Backwards Towards Pluperfect is due out from Diode Editions in ’24.
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