FIRE DOOR
SLOW FLIRTATION of a low diamond in the rough/the late-night lung
w/ a paucity of expectations/nectar removal onsite/can set the
wise/slack JAWED/these chips of glass constitute a constellation/drawing
box stacking buzz/learned SCRIPT MEASURES REALIZE reaction time to
demarcation of messages into the neutrality of grand gripes/to cross wind
the ORNAMENTS from my eyes/become the huddle of low-pressure
nervous is vogue/I CAN CRAFT in dirty striations/we are a breakdown
TRANSACTION ORIENTED/I cut my carbon-dated psychology into
to break our lists down/like guests/all the slips of tongues/I wish I COULD
baked into the concrete/A SPLINTER in the side/walk on a sliver/I cover
& FORTH/beg the notion of a distorted narrative/re-combined/into
LOOK FOR A FIRE DOOR/cut out a window/a puzzle/climb over
the next line/& harry the nerves/give midday no shelter/& exhale
LOVE LIKE BROKEN TEETH
The low hanging questions of low
hanging clouds/normal brooding to sew /a new whistle/into the bleating brakes
of nervous drivers/the city frames its jaw/w/ a love like broken teeth/everyone
offers critique/slip the conventions/kick over rocks/of nervous picking/into
leaden news/the earth tries to swallow cities/seeking panaceas/cities are
resilient/dark suit walking tours/I waffle on resilience/touching bone to
shape/cities know tragedy/the bouquet of felicitations & grimaces/but
remains resilient/a slow page turning/the engine grows stressed/it remains a
complex organism/all of the hustles/blue bubble gray bubble blue bubble/I am
unkempt & trying to remain professional/after a two-step altercation/twist
into the shape of your argument/from this distance I levy an
ambivalence/beautiful in the lingo/on the wings of a yellow moth/the
electrocution of news/cutting the stale palette/the broken visages of
strangers/the street laughs nervously/stinging the eyes/I melt a cough drop on
my tongue/autumn makes a slow approach/seasons are now measured in violence
Tenderness is underweight: an imminent flop in these hands—
place the parts in a vase & rent a plot line of mercy just add
a nervous hole punched through a wall & let the fingers soak up
their blue flaws— appendages blind to near/dear laughter
across ambition To draw bright lines for touch I’ll crush salt three times
& sanctify the couch w/ a vacuity like falling into a dry well
exhausted years ago These days all the months fill w/ fire & fealty:
spoiled performances I’m not feeling the spirit— I’m feeling
the maudlin tool of expiration crafted w/in my quiet bedroom
Be sympathy & become a clap a slow hobble a midnight boulevard
paved w/ spines carved from fingernails & ephemera
To know this rawness is to open a deteriorating mouth: just try to mend
a sunset so the page can finally bruise— a damn to finally break open
I am a city burning at a distance in a headline where secrets promise
to perch on the windowsill only to be carried away by the current
of other whispers This is a tragedy of a tiny pissing contest
(tiny is as tiny does) like 79 cent bananas being as cruel
community screaming from the haze of bad contracts we smuggle in our
pockets To become aware is to walk the fine line of a wish burning slow—
distance/expectation—a last letter looming in the recesses of a closet
a past shadow (a signpost to an unfinished road is an idle sweet whisper
A swindle studied/aware Aim your ink stain like a starry-eyed
hunger pang at a map of buttons that could be a slew arriving at arm’s
length soaked/delicious in its moon glow carrying a sweet whisper
judgments at a randomized pace of jealousy from work
walking back the short ask to the fundamental question of sleep
wrung out of heat light like the shower operating so yellow
We share this low horizon over grieving photos & split fingers—
(when can grief just be grief ?) rather than cryptic & unnecessary
like this old man’s pen offering a banter that’s aimed at a wall during this
season of catching fire writhing in no name—only heat /ash
SALTING MY EYE
This evening a sidewalk is
peeling an orange in winter & my absence & vanity burn bright lines
into my misgivings : I look for waste & dump noise into a
cross-contamination of consonants performing hope like a billboard ultimately
losing to the sun’s concerns : a thirsty green fealty—the end : I develop into
a wick dreaming of becoming a bouquet
made to transport crude zeros & barbs to the threshold of a cutting
rhetoric (transmissions) : Abbreviations btwn. bedrooms converting bad
composition into conditional circuits : Trivial digits growl one-sided
questions into the swallow of night—the light switches are up-down/up-down/up-down/up-down/slur/dream
nervous judgment & knock-knock laughter : Make good on heavy niceties
nervous smiles & veiled prescriptions designed for the architecture of a headache placing
a lien on teeth : An atrocity recipe kicked up in daylight in the wake of a
passing bus & a slow scowl declaring the end of transactional rest : Like
a pastime slipping into a coma : Breathe
into an exit steeped in smoke & the routine will land w/ a sting battered by
loose identities in exchange for erratic annunciations doling out dumb smiles & venerations to
grow a seedling : A rose-colored past
burning up purpose to breed lionization
Adam Stutz is the author of Transcript (Cooper
Dillon Books, 2017), The Scales (White Stag Publishing,
2018), The Sham Tapestry (White Stag Publishing, 2024),
and Compunctions + Thefts (White Stag Publishing, 2024). His
work was recently shortlisted for the Capilano Review's 2023 Writing Contest,
Writing in the Aftermath, and has appeared in various print and online
publications including The Equalizer: Second Series, A
Sharp Piece of Awesome, Prelude, Be About It, Deluge, Dum
Dum Zine, The Pinch, Dodging the Rain, Where
is the River, Dream Pop, Cover, Ghost
Proposal, Columba Poetry, Only Good Poems, INKSOUNDS, Spectra
Poets, Trilobite, and hush: a journal of noise. His
work can also be found at https://stutzwrites.com. He currently resides in Los Angeles, CA.
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